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Three Thursdays: August 2, 9, 16, to p. As a girl, Virginia devoured the works her father, the literary critic Leslie Stephen, kept in his leather-backed Cambridge library. In these breezy pieces, the imagination behind To the Lighthouse , Mrs. Dalloway , Orlando and The Waves , reveals itself through biographical sketches and essays. In this class we will discuss a selection of essays from both the first and second series of the Common Reader, and do brief writing exercises to tease out the hidden essayist anf reviewer in all of us.

She received an M. Log-in or create an account first! First edition. Page edges slightly soiled, still about fine in an about very good dustwrapper that has some modest chips and tears and some overall soiling. Small Hogarth Press pamphlet advertising Woolf's works laid in.


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Inscribed by the author to her typist: "Margaret Walton with thanks from Virginia Woolf. While signed limited editions of Woolf still become available with regularity, inscribed trade editions have become exceptionally uncommon. First Edition; first binding; copies printed. Seller: Peter L.

ISBN 13: 9780156198066

Published: Condition: First Edition; first binding; copies printed. A good copy in a worn, soiled and chipped dust jacket, but this is a presenta. First Series: original cloth-backed decorated paper boards; with the dust jacket designed by Vanessa Bell. Second Series: original green cloth, titles to spine gilt; with the dust jacket designed by Vanessa Bell.

First Series: boards slightly marked and foxed but still bright, a little foxing to edges. Second Series: cloth a little darkened, boards slightly toned. A very good set in the scarce jackets, spine panels toned, edges slightly darkened, but front panels still bright, jacket of First Series expertly stabilised with a little tissue at head of spine, spine fold and front fold.

First editions, first impressions, of two works that are particularly tough to find in collectable condition. First Edition. Hard Cover. Dust Jacket. First UK Edition. Scans invited.


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  • Published: Edition: First Edition. Cloth and pictorial paper boards.


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    • Tipped-in bookplate of Abel Berland, small bump to lower edge of upper board, faint offset from jacket to boards, otherwise a very good or better copy, in a good, unrestored example of the uncommon Vanessa Bell dust jacket a bit tanned, somewhat chipped at crown of spine and upper corners, affecting the 'th' and 'c' in the spine titling, with shallow loss at the toe of spine, and some fraying along the lower joint. First edition, first binding. The entire first printing consisted of copies.

      An uncommon jacket in any condition. London: Hogarth Press, First Edition.. Dust Jacket Included. Vanessa Bell. Woolf, Virginia.

      The Common Reader

      Inscribed By Stephen Spender. London: The Hogarth Press, Inscribed by Stephen Spender on the front-free endpaper: "Winifred most likely Winifred Paine with love from Stephen, a late Christmas present.

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      A very good bright copy in green cloth, gilt titles to the spine lacking the dustwrapper and showing some light general use. A collection of critical essays Woolf worked on after finishing the Waves and working on Flush. Kirkpatrick and Clarke A18a. Woolmer A set of first edition, first printings published by The Hogarth Press in and Some foxing to the corners and wear and to the base of the spine.

      No dust wrapper. Some light wear to the corners and edges. Housed in a custom built slipcase. Seller: John Atkinson Books Published: New Edition. Very Good. Second printing of the new edition. Signed by Virginia Woolf on the front free endpaper. Bound in publisher's green cloth with spine titled lettered in gilt; lacking the dust jacket.

      Brief Overview

      Very Good with light wear at extremities, light soiling to cloth and endsheets foxed. While limited editions signed by Virginia Woolf are somewhat common, signed trade editions have become quite scarce. New York: Harcourt Brace, , New York: Harcourt Brace, Very scarce First American Edition. A fine fresh copy in the publisher's red cloth, light foxing to the page edges , unobtrusive small bookseller's label affixed to the rear pastedown, gilt to the spine very sharp.

      A very good copy indeed.

      [READ] EBOOK The Common Reader: First Series, Annotated Edition ONLINE COLLECTION

      An erudite collection proving Woolf at her critical best. Red cloth gilt lettered on spine oxidized in pictorial Vanessa Bell dust jacket. Her first book of collected essays and quite scarce. Dust jacket has been archivally mended on the rear covering a one inch chip to bottom of spine. Small stain and general over all wear but still an attractive copy.

      The original white paper boards The green and brown decorations by Vanessa Bell with a pale grey cloth lettered spine. The covers are lightly soiled, spotted and age-toned at the edges.

      Some pushing and a few nicks at the spine ends with the usual rubbing to the corners. The grey cloth spine is mildly sunned and lightly marked. The lettering on the spine remains very clear. Offsetting to the end papers with some spotting to the prelims. Some spotting to the text-block and the page edges in places. But, lord Christ! When that it remembreth me Up-on my yowthe, and on my Iolitee, It tikleth me aboute myn herte rote. Unto this day it doth myn herte bote That I have had my world as in my tyme.

      But there is another and more important reason for the surprising brightness, the still effective merriment of the Canterbury Tales.

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      Chaucer was a poet; but he never flinched from the life that was being lived at the moment before his eyes. A farmyard, with its straw, its dung, its cocks and its hens, is not we have come to think a poetic subject; poets seem either to rule out the farmyard entirely or to require that it shall be a farmyard in Thessaly and its pigs of mythological origin.

      But Chaucer says outright:. If he withdraws to the time of the Greeks or the Romans, it is only that his story leads him there. He has no desire to wrap himself round in antiquity, to take refuge in age, or to shirk the associations of common grocer's English. Therefore when we say that we know the end of the journey, it is hard to quote the particular lines from which we take our knowledge. Chaucer fixed his eyes upon the road before him, not upon the world to come. He was little given to abstract contemplation. He deprecated, with peculiar archness, any competition with the scholars and divines:.